A collective of DJs, Artists, and simply cool a** people wanting to increase the quality of entertainment in grand rapids and the world.

Posts Tagged: dante cope

The second video I shot for Styles of Glamour. This is Antais. The funniest part of the shoot was when some random dude tried to take a phone picture of her ass but his phone was facing himself. So instead he just took a selfie… lames.

Antais Harvey - Styles Of Glamour 

A few weeks ago I filmed a photoshoot of a few model for Styles Of Glamour, a modeling agency based in ATL. Mark the photographer was hilarious and we had a great time. Check out the first video!!! (1 of 2) 

Clarisa Trevino

Also I did the music!!!!!!! chea. Stori Brooks on the slow down!!

King’s Currency

Dante Cope, Punksuhate, Lady Ace, Gray Theory, and DJ Dean Martian will be shutting down Crush at the B.O.B. this friday in Grand Rapids for the Biggest Bang Triberaiser!!!!!!!!!!!!

RSVP Here!!!

Show starts at 6pm!!!

Troll Face

This group along with Dante Cope, Lady Ace, Gray Theory, and DJ Dean Martian will be shutting down Crush at the B.O.B. this friday in Grand Rapids for the Biggest Bang Triberaiser!!!!!!!!!!!!

RSVP Here!!!

Show starts at 6pm!!!!

Rounds

Dante Cope along with Punksuhate, Lady Ace, Gray Theory, and DJ Dean Martian will be shutting down Crush at the B.O.B. this friday in Grand Rapids for the Biggest Bang Triberaiser!!!!!!!!!!!!

RSVP Here!!!

Show starts at 6pm!!!

On saturday I played alto sax at the Full Flower Moon Block Party with the ICUP orchestra. This is the live recording from the show!!! 

ICUP Orchestra - Bastardo Lento

The Band: Soprano Sax - Mickey Mackenzie, Guitar - Don Mangione, Alto Sax - Brandon Copeland, Trombone - Jason Arledge Lester, Bass - Melissa Schnur, Trumpet - Billy Chirco, Keys - Joe Bloom, and Hugo Claudin on the drums

Source: SoundCloud / Jason Arledge Lester

How do you troll rappers? By randomly dropping their music video on a monday, without them knowing.

Punksuhate - Troll Face

dir. Dante Cope

Dante Cope’s Remix of Tiron and Ayomari’s No Filter. Trav Waylaa on the additional vocals.

Source: SoundCloud / DanteCope

I released this project in November of 2012 and the response I’ve gotten from it has been overwhelming. The sort of numb high you get when you achieve a victory has sensed worn off. As I look back on the process it took to create this, I feel like we (everyone involved in the process) have created something so original that no one can take from us. We made a project without the outside influence of trying to sound like something else.
Now as time has passed I can actually listen to this album WITHOUT critiquing the creative process, WITHOUT analyzing the mixing, WITHOUT trying to deconstruct the art into genre boxes. I now listen to this album as a fan.
I am a fan of Autopilot “long dicking” his way through his verse on Slow Down.
I am a fan of the way Ed Nino captured the essence of my frustration with the music industry on King’s Currency.
I am a fan of Wizdom Selah dropping knowledge beyond the confines of a book.
I am a fan of Suport painting a picture of the bar scene he graciously walked away from.
I am a fan of Venson’s talent on the mic and with the sax.
I am a fan of everyone involved.
And I rarely toot my own horn but ultimately I am a fan of myself, mainly from being so depressed about the music scene and how the artists I looked up to, keep disappointing. I am a fan of myself having the balls to make something that should have been made 5 years ago.
So as the culture digresses, I’ll keep progressing the art and life of real people, because real people made this project great. We are creating because the so called leaders of this world of hip hop are not.
#marinate

I released this project in November of 2012 and the response I’ve gotten from it has been overwhelming. The sort of numb high you get when you achieve a victory has sensed worn off. As I look back on the process it took to create this, I feel like we (everyone involved in the process) have created something so original that no one can take from us. We made a project without the outside influence of trying to sound like something else.

Now as time has passed I can actually listen to this album WITHOUT critiquing the creative process, WITHOUT analyzing the mixing, WITHOUT trying to deconstruct the art into genre boxes. I now listen to this album as a fan.

I am a fan of Autopilot “long dicking” his way through his verse on Slow Down.

I am a fan of the way Ed Nino captured the essence of my frustration with the music industry on King’s Currency.

I am a fan of Wizdom Selah dropping knowledge beyond the confines of a book.

I am a fan of Suport painting a picture of the bar scene he graciously walked away from.

I am a fan of Venson’s talent on the mic and with the sax.

I am a fan of everyone involved.

And I rarely toot my own horn but ultimately I am a fan of myself, mainly from being so depressed about the music scene and how the artists I looked up to, keep disappointing. I am a fan of myself having the balls to make something that should have been made 5 years ago.

So as the culture digresses, I’ll keep progressing the art and life of real people, because real people made this project great. We are creating because the so called leaders of this world of hip hop are not.

#marinate

Killer Tubes From Outer Space :: Art and Music Showcase

Ice Cream Gallery and Toys :: Grand Rapids, MI